Looking out of the window and to the horizon
I see a black ribbon move through the air
it begins to descend down onto my house
an essence of darkness, of sadness, of terror
Big screaming eyes and a gaping dark mouth
surrounded by smoke which pulses and plumes
now stands beside me shrieking and howling
and filling my heart with malevolent fear
But I take from my waist a cord of white light
and now bind the two of us tightly together
and no-longer see my kitchen or dining room
but a corridor filled with doorways of portals
For whatever reason this being was formed
it is not up to me to banish or kill it
So I take this great Sadness to its next destination
til we come to a door it looks longingly at
With taiaha in hand a warrior steps forward
so nothing else enters into our domain
and a wahine toa begins to karanga
as we step forward to open the door
This is the doorway to Hades itself
to the very own Whare of the Atua Whiro
where slowly but surely I take down the cord
and let this of our brethren, go to his own World....
A travel log of PhD research in revitalising traditional Māori knowledge systems in Aotearoa New Zealand
Friday, 11 January 2013
Monday, 7 January 2013
90. My mother's couch
Sitting apon my mother's own couch
a Pleiadian woman with golden hair sits
Sensuously she eyes me a smile
drawing me in to be by her side
But standing beside her is a Pleiadian man
barring the way with one of his hands
He is the Protector of his Angelic Charge
guarding a Goddess, guarding his mate
Long, thin, straight hair of platinum blond
fall past his temples and down to his shoulders
and ever so slightly between her and I
he turns and conveys a message from her
A flood of emotion and question marks come
of journeys untravelled and actions not done
and with a serious tone, he asks one single thing
"Why has your destiny not yet begun?"
I wake in the morning and begin to reflect
on what are the barriers holding me back
I guess its the pull and the tug thats so real
of going alone despite what others feel
a Pleiadian woman with golden hair sits
Sensuously she eyes me a smile
drawing me in to be by her side
But standing beside her is a Pleiadian man
barring the way with one of his hands
He is the Protector of his Angelic Charge
guarding a Goddess, guarding his mate
Long, thin, straight hair of platinum blond
fall past his temples and down to his shoulders
and ever so slightly between her and I
he turns and conveys a message from her
A flood of emotion and question marks come
of journeys untravelled and actions not done
and with a serious tone, he asks one single thing
"Why has your destiny not yet begun?"
I wake in the morning and begin to reflect
on what are the barriers holding me back
I guess its the pull and the tug thats so real
of going alone despite what others feel
Thursday, 3 January 2013
89. Ojibwe ladies with embroidery stories
In a cramped little kitchen
filled with laughter and smiles
I sit at the table with 2 nokomisinonnig
Their long, straight, grey hair
pulled loosely behind them
while wrinkled round faces
look sweetly down at me
One of them begins by drawing the eye
to a beautifully quilted, coat that she wears
running her fingers along stitched designs
of silver grey stars over universe seams
The other now shows me the coat that she wears
soft to the touch with an apricot hue
and shaking the coat and making it billow
I see a new story begin to unfold
Some people write books while others may carve
some people sing, while others might dance
but these little old ladies who sit in their kitchen
show me the way, they share their own stories
* Nokomisinonnig (Grandmothers)
filled with laughter and smiles
I sit at the table with 2 nokomisinonnig
Their long, straight, grey hair
pulled loosely behind them
while wrinkled round faces
look sweetly down at me
One of them begins by drawing the eye
to a beautifully quilted, coat that she wears
running her fingers along stitched designs
of silver grey stars over universe seams
The other now shows me the coat that she wears
soft to the touch with an apricot hue
and shaking the coat and making it billow
I see a new story begin to unfold
Some people write books while others may carve
some people sing, while others might dance
but these little old ladies who sit in their kitchen
show me the way, they share their own stories
* Nokomisinonnig (Grandmothers)
Friday, 7 December 2012
88. Fountain of Light
Ripples of cascading, flowing white light
shimmer and sparkle across the carpeted floor
as we sit and are welcomed into the whare
Te Puna i te Ao Marama
The Fountain of Light is the name of this House
apon the lands itself which bear the same name
and dutifully named by the ancestor Kupe
in a beautiful area called the Hokianga
But as the speeches continue and song fills the rafters
and Dame Whina's picture hangs on the wall
the floor of the House is shimmering at me
as though the afternoon Sun sits alongside me
Curiously I look all about me
hoping that others can see what's before me
but alas - they do not, and continue to listen
as the tangata whenua continue to talk
With my bare feet and whilst no-one is noticing
I wiggle - really slowly, some of my toes
and see one pass through this mysterious layer
like a whale or dolphin through the crest of a wave
I am conscious of others, now wary of me
where my wee antics are attracting attention
so slowly, I smile and offer my gratitude
to these beautiful waters who have made themselves known
I reach down, and gently - I now stroke the floor
as though I'm admiring the shag of the carpet
and feel my own heart fill with peace and with beauty
as I gain my composure, and listen to speeches
shimmer and sparkle across the carpeted floor
as we sit and are welcomed into the whare
Te Puna i te Ao Marama
The Fountain of Light is the name of this House
apon the lands itself which bear the same name
and dutifully named by the ancestor Kupe
in a beautiful area called the Hokianga
But as the speeches continue and song fills the rafters
and Dame Whina's picture hangs on the wall
the floor of the House is shimmering at me
as though the afternoon Sun sits alongside me
Curiously I look all about me
hoping that others can see what's before me
but alas - they do not, and continue to listen
as the tangata whenua continue to talk
With my bare feet and whilst no-one is noticing
I wiggle - really slowly, some of my toes
and see one pass through this mysterious layer
like a whale or dolphin through the crest of a wave
I am conscious of others, now wary of me
where my wee antics are attracting attention
so slowly, I smile and offer my gratitude
to these beautiful waters who have made themselves known
I reach down, and gently - I now stroke the floor
as though I'm admiring the shag of the carpet
and feel my own heart fill with peace and with beauty
as I gain my composure, and listen to speeches
Tuesday, 13 November 2012
87. Doorstep of the Sun
Silhouetted by the setting Sun
a figure sits calmly, peacefully
sits on the Doorstep of the Sun
a figure sits calmly, peacefully
sits on the Doorstep of the Sun
on Mahaukura, the Glowing Threshold
The Eye of the Sun opens
like the Eye of a Needle
an Inferno of Fiery Darkness
of Horrific Life and of Serene Death
The Eye of the Sun opens
like the Eye of a Needle
an Inferno of Fiery Darkness
of Horrific Life and of Serene Death
Te Kore and Te Po
Te Ao Marama and Whakapapa
Time and Causality
Come together, as One
It is Time without Time
It is a Day inside a Night
a World knowing no opposites or duality
I rage peacefully
I love within anger
I live in the Mind's Eye
of a being long passed, and of a child unborn
*Mahaukura, site on top of Pirongia Mountain, Waikato, New Zealand
*Te Kore (Nothingness), Te Po (Darkness), Te Ao Marama (World of Light), stages of evolution in traditonal Māori history
*Whakapapa (Ancestral lineage/Matrices/Order/Structure/Form)
Labels:
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Death,
Doorstep of the Sun,
Duality,
Eye of the Sun,
Fire,
Glowing Threshold,
Kotahitanga,
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Light,
Mahaukura,
Mountain,
Nothingness,
Oneness,
Pirongia,
Te Ao Marama,
Te Kore,
Te Po,
Time
Sunday, 11 November 2012
86. A Shift
Planets and stars move way above me
while ions and particles collide and contract
and the current and tides of the water and air
will bring forth vibrations which break through reality
Experiments begin of a peculiar kind
on the nature of man and connections to Spirit
Breaking dependencies on Mother Nature
and creating a barrier in the Ionosphere
Genetically modified food is now grown
not from her soil but from metal and glass
and nuclear weapons are exploding above us
to alter and fortify the space round the planet
Papatuanuku must come of age
where her body will shift and vibration rises
where we can no-longer rely on those things
which helped us, or served us, or kept us sustained
And so too, will this usher in another new age
which push the boundaries of our bodies and minds
We've been here before and we'll do it again
another new epoch in the lives of wo(man)
Monday, 5 November 2012
85. Te Hokioi
In the afternoon sun I see far below me
mountains and rivers and deep red ravines
From as far away as my own eyes can see
is the distant horizon where the land and sky meet
From far below I look up in the air
and see myself smiling with arms stretched out wide
but my very own silhouette is no-longer my own
bearing feathers which reach from my head to my toes
On the warmth of the winds do I find myself glide
as though I am carried on the backs of a prayer
And towards the Sun and the Creator's own face
do I carry the wishes of the whole human race...
mountains and rivers and deep red ravines
From as far away as my own eyes can see
is the distant horizon where the land and sky meet
From far below I look up in the air
and see myself smiling with arms stretched out wide
but my very own silhouette is no-longer my own
bearing feathers which reach from my head to my toes
On the warmth of the winds do I find myself glide
as though I am carried on the backs of a prayer
And towards the Sun and the Creator's own face
do I carry the wishes of the whole human race...
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